Today’s show explores interpretation. How do we observe our built environment? What do we miss? Why do we build? Sometimes, its the small things that make a difference in our environment. They’re right there, we just need to look. Creating “place” requires more than putting a building on the grid and seeing what’s left. Martin Arfalk describes what the Swedish landscape architecture and urban design firm, Mandaworks, takes seriously: the interpretation of space and the activities that can be instigated. Manda, in a meta sort of way, is a design language, but it’s also a lens to look more critically at a call for design, allowing different disciplines of design to more fluidly approach a problem. How people interact is part of the interpretation of space.
Iker Gil, Editor of the critical design journal MAS Context, explains an issue dedicated to the ordinary in design. An architect and also the director of MAS Studio in Chicago, his practice is on the lookout for what design might offer that’s not exactly in stated in the design brief. He sites Rojkind Arquitectos’ propensity for designing spaces for other things to happen. He’s interested in an architecture that traverses a glass ceiling of “service”, and seeks work that extends the brief. Appreciating what’s in plain sight but potentially overlooked is the approach. Iker Gil’s recent exhibition, Inside Marina City,expressed the experience of Bertrand Goldberg’s Marina City towers from the perspective of the inhabitants.
Jimenez Lai describes his recent work, an exhibition and series of individual pamphlets by 14 emerging architects. Called Treatise, Why Write Alone? this exploration into conceptual, discursive practice features architects engaged in the pursuit of understanding motivations that underlie a reason to build something. Jimenez Lai is the leader of Bureau Spectacular and is also the author of the respected architectural graphic novel, Citizens of No Place.
See Martin Arfalk – March 11th – U of C downtown – 6pm (Design Matters)