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DTSTART;TZID=America/Edmonton:20260327T120000
DTEND;TZID=America/Edmonton:20260816T190000
DTSTAMP:20260705T193305
CREATED:20260303T194856Z
LAST-MODIFIED:20260303T194856Z
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SUMMARY:Erdem Taşdelen Wounded in Three Acts
DESCRIPTION:Erdem Taşdelen\nWounded in Three Acts\nMarch 27—August 16\, 2026\nSetting up the stage with melodramatic flair\, Wounded in Three Acts marks a new chapter in Erdem Taşdelen’s artistic practice\, and his first return to Calgary since his 2019 exhibition at The Bows. Dramaturgic and narrative strategies ground Taşdelen’s work within the history of humanity’s examination of its own nature and the pursuit of catharsis through shared enactment. Using diverse media to articulate captivating fictions that never stray far from truth\, his projects graze veracity with a shrewdness that urges our attention toward contemporary sociopolitical realities. \nWounded in Three Acts weaves together elements of four recent bodies of work\, presenting an audio installation\, a film\, graphic prints\, and a live performance. Taşdelen’s artistic approach borrows from the languages of theatre\, contemporary fiction and collective action to engage with notions of power\, solidarity and resistance\, as well as human behaviour\, aspirations and limitations. Unmade Films (2022) is a series of posters for imaginary motion pictures never made. Under the guise of visual mimicry\, the series investigates cinematic tropes and invites viewers to imagine their own versions of the stories these films may tell. \nAn exercise in dramaturgy and dystopian reflection\, Taşdelen’s audio installation The Characters (2018-2021) – partly recorded in Calgary in collaboration with EMMEDIA –follows the self-indulgent and mordantly humorous narratives of a set of stock characters. With their defining traits taken from a text by ancient Greek philosopher and naturalist Theophrastus\, these fictional personas are recognizable archetypes. At Contemporary Calgary\, Taşdelen presents a condensed version of the project featuring ten idiosyncratic monologues\, portraying the less palatable aspects of humankind and generating a strangely familiar\, attention-grabbing clamour that holds an unflattering mirror to our contemporary society. \nFrictions (2024) is a moving image work that comprises twelve first-person narratives\, each reflecting on the psychological toll of living alongside strangers in an era marked by polarization\, technologically-mediated hostility\, and uncertainty about the future. Inspired by the artist’s own dreams involving social discomfort and anxiety\, the film’s narratives unfold against the backdrop of hazy\, dreamlike visual sequences\, punctuated with interludes of ambient soundscapes that reinforce a sense of unease. These small yet charged moments of friction expose deeper societal ruptures: the erosion of empathy\, the projection of personal insecurity onto others\, and the difficulty of meaningful social connection in a world saturated by suspicion and self-preservation. \nPunctuating the exhibition run at varying intervals\, A Long Dramatic Pause (2025-26) is Taşdelen’s first live performance work\, which premiered at Studio Voltaire in London\, UK this past fall. The narrative employs the lexicon of photography and theatre to explore strategies of resistance against ultranationalism and far-right politics. Twelve theatrical vignettes describe a photographic image never shown but brought to life through re-enactment and visual analysis by a solo performer. As the performer alternates between observing and embodying an antifascist figure in the photograph\, the narrative gradually implicates the audience\, shifting their focus towards their own agency and collective presence. For this iteration\, Taşdelen collaborated with performer Cindy Ansah to develop a unique\, site-specific version of A Long Dramatic Pause\, guided by a written script and a set of corresponding graphic scores that also feature in Taşdelen’s exhibition. \nCollectively\, the works in Wounded in Three Acts examine the ways in which we negotiate living alongside strangers whose histories\, beliefs and worldviews may be vastly different from our own. Examining culturally learned behaviours and drawing from unique historical accounts\, Taşdelen approaches these questions across different formats\, looking at narrative itself as a constructive device through which we make sense of our experiences and feelings\, both for ourselves and for others. His works do not attempt to instruct or persuade; instead\, they build situations in which we all must reckon with our positions and forms of complicity or solidarity. \nWounded in Three Acts is generously supported through the Ontario Arts Council Exhibition Assistance Program. \nCurated by Mona Filip.
URL:https://cjsw.com/event/erdem-tasdelen-wounded-in-three-acts/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260327T120000
DTEND;TZID=America/Edmonton:20260816T190000
DTSTAMP:20260705T193305
CREATED:20260303T195029Z
LAST-MODIFIED:20260303T195029Z
UID:105814-1774612800-1786906800@cjsw.com
SUMMARY:Richard Ibghy & Marilou Lemmens Stacking Crates to Reach a Banana
DESCRIPTION:Richard Ibghy & Marilou Lemmens\nStacking Crates to Reach a Banana\nMarch 27—August 16\, 2026\nHow are our bodies measured and valued?\nHow do we perform within systems that observe\, record\, and assign meaning to behaviour? \nStacking Crates to Reach a Banana by Quebec-based artist duo Richard Ibghy and Marilou Lemmens brings together works that examine the body—human and nonhuman—as a site of measurement\, performance\, and value. Their practice draws on the visual language of modern science—diagrams\, charts\, graphs\, and schematics that translate lived experience and bodily labour into data\, units\, and archetypes. Across the exhibition\, embodied movements are rendered into abstract models within systems that quantify and compare behaviour\, even as the artists’ reworking of these forms unsettles claims of human exceptionalism. \n The two-channel video piece Taming Chance (2012) sets the tone for the exhibition\, combining a sense of playfulness with serious inquiry. The artist-performers attempt to bring order out of chaos while they deliberately court risk through the manipulation of raw materials. The thirty architectural recreations that feature in the series Anthology of Performance Pieces for Animals (2018- present)\, cast animals as active performers within the framework of laboratory-based cognitive experiments done to study them. In another room is the series\, Each Number Equals One Inhalation and One Exhalation (2016–present)\, that includes graphical representations of diagrammatic studies that illustrate human productivity and labour\, drawn from disciplines ranging from work science\, scientific management\, economics and psychology. Punctuating these small\, abstract sculptures are five videos from Is there anything left to be done at all? (2014)\, subtly evoking the presence of a tangible body\, but through explorations of non-productive action. Staged during a residency at Trinity Square Video in Toronto that is dedicated to art production\, Ibghy and Lemmens invited four artists to workshop the generative potential of improvisations and creative outflow\, probing what forms of action or desire remain once goal\, effort\, and reward are uncoupled. Brought together in direct dialogue for the first time\, the sculptures and videos form a pictorial architecture in themselves\, paralleling the models they reference. In so doing\, the artists intentionally orchestrate the viewing experience to disrupt how meaning is derived from patterns. \nFurther\, by working with models of non-productivity and by granting material and animal bodies agency on the same plane as human bodies\, the duo reveals the limits and flaws of these systems. The handmade sculptures\, built from simple materials such as bamboo sticks and acetate sheets\, emphasize the provisional nature of all regimes of epistemological control. \nIn making visible how instruction operates as a pattern that scripts action\, the exhibition traces the ethical stakes of such systems: the hierarchies they embed\, the behaviours they normalize\, and the ways bodies are instrumentalized as resources to be optimized. Together\, the works offer a critical and timely reflection on processes of reduction\, interrogating how systems of knowledge abstract bodies into data\, variables\, and units of labour\, while opening a space to consider bodies as irreducible to the metrics used to measure and manage them. \nCurated by Kanika Anand.
URL:https://cjsw.com/event/richard-ibghy-marilou-lemmens-stacking-crates-to-reach-a-banana/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260506
DTEND;VALUE=DATE:20260817
DTSTAMP:20260705T193305
CREATED:20260505T184359Z
LAST-MODIFIED:20260505T184359Z
UID:107400-1778104800-1786917599@cjsw.com
SUMMARY:Haig Aivazian: You May Own the Lanterns\, but We Have the Light
DESCRIPTION:Exhibit: Haig Aivazian’s You May Own the Lanterns\, but We Have the Light \nContamporary Calgary: #701 11th Street SW\, Calgary\, AB\, T2P 2C4 \nMay 7—August 16\, 2026 \nWho has the power to control light? In what ways can darkness be weaponized? \nYou May Own the Lanterns\, but We Have the Light (2022-ongoing) brings together three episodes of a cartoon mini-series by Haig Aivazian\, building on his ongoing examination of the public administration of light and darkness as a policing tool. \nDrawing on the history of public lighting\, the work considers artificial light not just as a means for illuminating the streets at night\, but as a mechanism of governance\, where visibility underpins surveillance\, authority\, and the staging and enforcement of social order in public space. \nMost civilizations have long understood the night as a realm of mystery. It belongs to creatures we have been trained to fear: gargoyles\, vampires\, and werewolves\, lurking through the shadows. They inhabit the darkness\, only to be banished by daylight – exposed\, vilified\, and cast as dangerous. But the night is also when we dream. Reality loosens its grip and other worlds begin to take shape. In dreams\, regimes can falter\, hierarchies dissolve\, and new orders come into being – if only for a moment\, before the day returns. \nYou May Own the Lanterns\, but We Have the Light is composed of fragments of found cartoons and animations from a wide range of sources\, all meticulously redrawn\, stitched together\, and reanimated in collaboration with a team of animators in Beirut\, with varying degrees of alteration to the original material. In this work\, the night becomes fertile ground for upheaval and resistance\, a space that allows for refuge and revolution\, where efforts to take it over and colonize it are met with acts of subversive escapism and defiance. \nThe exhibition looks at both the street and the nightclub as sites of disruption\, drawing parallels between dancing and protest as forms of communal resistance. But it also traces the moment when these gestures begin to fail – when dance\, gathering\, and dreaming are no longer sufficient to hold the weight of opposition. This moment demands that we consider the necessity of other modes of cultural production\, ones that are capable of fighting – and ultimately undoing – the conditions that allow an oppressive world order to persist. \nHere\, we are faced with a threshold: prevailing systems are about to collapse\, and new ones have yet to take shape. How can we reclaim power in the night?
URL:https://cjsw.com/event/haig-aivazian-you-may-own-the-lanterns-but-we-have-the-light/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20261109
DTSTAMP:20260705T193305
CREATED:20260505T185253Z
LAST-MODIFIED:20260528T160213Z
UID:107402-1780524000-1794171599@cjsw.com
SUMMARY:Adelita Husni Bey: Agency
DESCRIPTION:Exhibit: Adelita Husni Bey’s Agency \nJune 4—November 8\, 2026 \nContemporary Calgary: #701 11th Street SW\, Calgary\, AB\, T2P 2C4 \n2014\, Rome\, Italy. \nThirty-five students at Manara High School took part in a workshop modelled on a group exercise\, derived from a 1970s UK critical civic studies curriculum method. Led by Italian-Libyan artist Adelita Husni Bey\, the students were divided into five constituencies – politicians\, activists\, bankers\, journalists\, and workers – and asked to engage with pressing issues in contemporary Italian politics\, including unemployment\, snap elections\, and natural disasters. \nPresented more than a decade after its completion\, Husni Bey’s Agency (2014) is a documentation of this workshop\, reflecting on the nature of power; the ways in which it manifests and operates; and how it may (or may not) be effectively used. Both disquieting and astute\, the work resonates as urgently today as it did at the moment of its making\, 12 years ago.
URL:https://cjsw.com/event/adelita-husni-bey-agency/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events,Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260610
DTEND;VALUE=DATE:20260622
DTSTAMP:20260705T193305
CREATED:20260505T185853Z
LAST-MODIFIED:20260505T192341Z
UID:107404-1781128800-1782079199@cjsw.com
SUMMARY:without SHAPE without FORM: JOURNEY OF THE MIND
DESCRIPTION:Exhibit: without SHAPE without FORM’s JOURNEY OF THE MIND  \nJune 11—21\, 2026 \nThis exhibition is FREE and OPEN TO ALL. \nContamporary Calgary: #701 11th Street SW\, Calgary\, AB\, T2P 2C4 \nWe live in challenging times. Constantly connected through digital media\, yet often feeling isolated\, many experience pressure\, anxiety and uncertainty. The lasting impact of recent global crises\, alongside concerns about climate change and social injustice\, has intensified questions around mental wellbeing and collective responsibility. \nJOURNEY OF THE MIND\, an exhibition by without SHAPE without FORM\, draws directly on the writings of the Sikh teachers\, which offer practical guidance and clear insight into the nature of the mind – how it wanders\, what obstructs it\, and how it can return to clarity. In Sikhi\, the mind is both the source of suffering and the gateway to freedom. Through focused practice (Simran)\, selfless service (Seva) and the support of community (Sangat)\, Sikh philosophy offers a path toward inner steadiness and purposeful living. \nThe exhibition explores these principles through contemporary figurative and abstract works by artists from diverse cultural backgrounds alongside short films. It reflects on the internal struggles we face – the pull of fear\, ego and distraction – and proposes focused practice\, community and selfless service as foundations for clarity and peace. \nTo date\, JOURNEY OF THE MIND has toured five UK cities and was most recently shown at the Queens Museum in New York\, marking its first presentation in North America. \nJOURNEY OF THE MIND is presented in partnership with Contemporary Calgary.
URL:https://cjsw.com/event/without-shape-without-form-journey-of-the-mind/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260612T220000
DTEND;TZID=America/Edmonton:20260713T020000
DTSTAMP:20260705T193305
CREATED:20260528T213008Z
LAST-MODIFIED:20260611T190616Z
UID:108088-1781301600-1783908000@cjsw.com
SUMMARY:Thomas Anthony & STUND - Night Shift
DESCRIPTION:NIGHT SHIFT ⚡️ Thomas Anthony & Stund bring heavy bass to Velvet Room on June 12. Secure your spot on the dance floor before it’s full! \n\n\n\n\nThe Outlit Presents: NIGHT SHIFT\nClock in for a night of heavy bass and “Thicc House” grooves. \nThis June\, The Outlit takes over the underground decks of the Velvet Room for a high-velocity double-header. Featuring two of the most influential names in the Western Canadian electronic scene\, we’re bringing the festival energy of Shambhala and Beyond Wonderland straight to the heart of Calgary. \nTHE HEADLINERS\n\nTHOMAS ANTHONY: The architect of “Thicc House Music.” With over 10 million streams and massive support from industry giants like Idris Elba\, Dr. Fresch\, and Benny Benassi\, Thomas Anthony is fresh off sets at world-renowned stages like Tomorrowland and Beyond Wonderland. Expect a seamless blend of commanding basslines and tech-house precision.\nSTUND: Known for his dark\, dynamic energy and hip-hop influenced soundscapes\, Stund has become a staple of the Canadian festival circuit. With a signature style that bridges the gap between deep bass and high-energy tech house\, his sets are designed to keep the dance floor in a constant state of motion.\n\nLOCAL SUPPORT\n\nScramma: A mainstay in the Calgary underground\, Scramma is known for his surgical precision behind the decks and a deep-rooted passion for driving\, rhythmic house music. Whether he’s warming up a room or commanding a peak-time slot\, Scramma’s sets are a masterclass in tension and release.\nYounome: Bringing a fresh and dynamic energy to the lineup\, Younome is rapidly carving out a space for himself in the Western Canadian electronic circuit. Known for his eclectic taste and ability to read a room\, he seamlessly bridges the gap between infectious tech-house and heavy\, club-ready anthems.\n\nEVENT DETAILS\n\nDate: Friday\, June 12\, 2026\nDoors: 10:00 PM\nLocation:Velvet Room– 628 8 Ave SW B\, Calgary\nPresented by: The Outlit & Danio Management
URL:https://cjsw.com/event/thomas-anthony-stund-night-shift/
CATEGORIES:Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260617
DTEND;VALUE=DATE:20260623
DTSTAMP:20260705T193305
CREATED:20260327T211046Z
LAST-MODIFIED:20260611T190656Z
UID:107954-1781668800-1782100799@cjsw.com
SUMMARY:Sled Island 2026
DESCRIPTION:Sled Island is back this June 17-21st! \nJoining Sled Island’s guest curator\, clipping.\, is English chamber folk ensemble Black Country\, New Road\, revered Canadian pop project HOMESHAKE\, LA synth punks Sextile\, fuzzy indie rock outfit feeble little horse\, outlandish egg punk group Snõõper\, lo-fi post-punk duo Sweeping Promises\, NYC-based ambient pioneer Laraaji\, and genre-bending dream pop artist Salami Rose Joe Louis (signed to Flying Lotus’ record label\, Brainfeeder). Also included in the first wave lineup is Nigerien desert rock band Etran de L’Aïr\, a new solo project from multidisciplinary artist and Sled Island alum Thor Harris (Swans\, Thor & Friends\, Ben Frost)\, acclaimed lo-fi hip-hop artist DijahSB\, indie pop singer-songwriter Emily Yacina\, blackened death metal trio Suffering Hour\, and Montreal slop rock group Tha Retail Simps. Each year\, Sled Island’s guest curator helps to shape the festival’s programming. This year\, clipping. has handpicked an incredible collection of performers\, including renowned abstract rapper billy woods (Armand Hammer)\, horrorcore noise rap artist Backxwash\, accomplished experimental sound composer Robert Aiki Aubrey Lowe\, Calgary hip-hip heroes Cartel Madras (opening for clipping. at The Palace Theatre)\, Australian free noise musician Granpa (Lucas Abela)\, gothic industrial artist Lana Del Rabies\, and more! \nSince 2007\, Sled Island’s thoughtful\, eclectic programming and independent spirit have produced a one-of-a-kind festival experience. Each June\, the five-day music and arts festival brings together a community of music\, comedy and art as well as over 25\,000 attendees across multiple venues\, earning rave reviews from attendees\, artists and media across the globe.
URL:https://cjsw.com/event/sled-island-2026/
CATEGORIES:18+,All Ages,CJSW Highlights,Comedy,Experimental/Punk,Hip Hop,Indie,Live Music,Local,Pop,Post-Punk/Art Rock,Punk,Punk Rock,R&B,Rock,Staff Picks
ATTACH;FMTTYPE=image/jpeg:https://cjsw.com/wp-content/uploads/2026/05/SledIsland2026_Poster_Wave2_Final-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260617T100000
DTEND;TZID=America/Edmonton:20260617T170000
DTSTAMP:20260705T193305
CREATED:20260602T183559Z
LAST-MODIFIED:20260611T190656Z
UID:108186-1781690400-1781715600@cjsw.com
SUMMARY:Tudjaat\, Crystal Shawanda\, Andrea Menard\, Jerry Alfred\, and Stoney Park Singers at National Music Centre’s Speak Up! Exhibit
DESCRIPTION:The evolving Speak Up! exhibition\, supported by TD Bank Group\, features pioneering Nunavut vocal duo Tudjaat\, who introduced audiences worldwide to Katatjaq or Inuit traditional throat singing in the mid-1990s; powerhouse vocalist and songwriter Crystal Shawanda from Wiikwemkoong First Nation on Manitoulin Island\, Ontario\, Métis singer-songwriter\, actor\, and author Andrea Menard from Flin Flon\, Manitoba\, who has earned acclaim as a defining voice within Canada’s arts community\, and the Stoney Park Singers\, a renowned family drum group from Mînî Thnî (Morley)\, Alberta that is known as one of the most respected and influential drum groups on the powwow trail. \nThe National Music Centre will reveal an updated edition of its Speak Up! exhibition on June 17 at Studio Bell. This year’s update spotlights a new group of trailblazing Indigenous artists who have used their voices to preserve their culture and inspire the next generation. In honour of National Indigenous Peoples Day on June 21\, NMC will also offer free admission and host a special live event featuring one of the exhibit’s newest honourees.
URL:https://cjsw.com/event/tudjaat-crystal-shawanda-andrea-menard-jerry-alfred-and-stoney-park-singers-at-national-music-centres-speak-up-exhibit/
LOCATION:Studio Bell\, 850 4 St. SE\, Calgary\, Canada
CATEGORIES:Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260617T120000
DTEND;TZID=America/Edmonton:20260617T210000
DTSTAMP:20260705T193305
CREATED:20260609T183038Z
LAST-MODIFIED:20260611T190656Z
UID:108627-1781697600-1781730000@cjsw.com
SUMMARY:Ragtime/Swing Quartet for Royal Canadian Legion 100th Anniversary
DESCRIPTION:For 100 years\, the Legion has supported veterans\, their families\, and communities across Canada. Now it’s time to celebrate this remarkable milestone with a day of live entertainment\, music\, dancing\, food\, and community spirit.\n\n\n\nRagtime & Swing Music\nDance Performances\nIndigenous Hoop Dance Performance\nLive 60’s Music & Evening Dance Band\nFood Trucks All Day\nVintage Attire Encouraged
URL:https://cjsw.com/event/ragtime-swing-quartet-for-royal-canadian-legion-100th-anniversary/
LOCATION:The Royal Canadian Legion #264\, 1918 Kensington Rd NW\, Calgary\, Alberta\, T2N 3R5\, Canada
CATEGORIES:Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260617T183000
DTEND;TZID=America/Edmonton:20260617T193000
DTSTAMP:20260705T193305
CREATED:20260609T180907Z
LAST-MODIFIED:20260611T190656Z
UID:108613-1781721000-1781724600@cjsw.com
SUMMARY:Palehound Gus Englehorn Jo Passed Brock Geiger
DESCRIPTION:Palehound \nThis musical brainchild of El Kempner — who’s recently shared stages with the likes of Big Thief and boygenius — turns anxious confessionals and jagged guitar lines into indie rock songs that hit like serrated diary entries. Palehound’s devastating-yet-triumphant stage presence can be previewed on their fifth album\, the 2024 release Live at First Congregational Church – a solo performance recorded while on tour with Adrianne Lenker. That said\, you can expect the thunderous full band at Sled Island. \nGus Englehorn \nA former pro snowboarder reborn as a nomadic psych-pop prophet\, Gus Englehorn has lived a rollercoaster life that reads like one of the fantastical fables that fill his songbook. His third album\, 2026’s The Hornbook\, magically transmutes the entire history of 20th century rock and roll into an alien transmission from the future. \njo passed \nJo Hirabayashi ­– the singer\, songwriter\, multi-instrumentalist\, and producer behind Canadian indie rock project jo passed – is very much alive\, even though his latest album\, Away\, took eight years to come out. Released this past January\, his sophomore LP is well worth the wait\, with 11 air-tight indie jams that are begging to be played live. \nBrock Geiger\n\nWith his debut LP Some Nights\, Brock Geiger takes a bold step out from the shadows of the sideman role\, shining a spotlight on his refined chameleon-like songcraft and indie rock sensibilities. The record has garnered attention from NPR and Rolling Stone and serves as a perfectly distilled introduction to the mind of a Calgary indie-pop auteur. \n\n\nTickets $30.
URL:https://cjsw.com/event/palehound-gus-englehorn-jo-passed-brock-geiger/
LOCATION:Dickens\, 1000 9 Ave SW\, Calgary\, Canada
CATEGORIES:Staff Picks
END:VEVENT
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