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DTSTART;TZID=America/Edmonton:20260327T120000
DTEND;TZID=America/Edmonton:20260816T190000
DTSTAMP:20260705T193506
CREATED:20260303T194856Z
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SUMMARY:Erdem Taşdelen Wounded in Three Acts
DESCRIPTION:Erdem Taşdelen\nWounded in Three Acts\nMarch 27—August 16\, 2026\nSetting up the stage with melodramatic flair\, Wounded in Three Acts marks a new chapter in Erdem Taşdelen’s artistic practice\, and his first return to Calgary since his 2019 exhibition at The Bows. Dramaturgic and narrative strategies ground Taşdelen’s work within the history of humanity’s examination of its own nature and the pursuit of catharsis through shared enactment. Using diverse media to articulate captivating fictions that never stray far from truth\, his projects graze veracity with a shrewdness that urges our attention toward contemporary sociopolitical realities. \nWounded in Three Acts weaves together elements of four recent bodies of work\, presenting an audio installation\, a film\, graphic prints\, and a live performance. Taşdelen’s artistic approach borrows from the languages of theatre\, contemporary fiction and collective action to engage with notions of power\, solidarity and resistance\, as well as human behaviour\, aspirations and limitations. Unmade Films (2022) is a series of posters for imaginary motion pictures never made. Under the guise of visual mimicry\, the series investigates cinematic tropes and invites viewers to imagine their own versions of the stories these films may tell. \nAn exercise in dramaturgy and dystopian reflection\, Taşdelen’s audio installation The Characters (2018-2021) – partly recorded in Calgary in collaboration with EMMEDIA –follows the self-indulgent and mordantly humorous narratives of a set of stock characters. With their defining traits taken from a text by ancient Greek philosopher and naturalist Theophrastus\, these fictional personas are recognizable archetypes. At Contemporary Calgary\, Taşdelen presents a condensed version of the project featuring ten idiosyncratic monologues\, portraying the less palatable aspects of humankind and generating a strangely familiar\, attention-grabbing clamour that holds an unflattering mirror to our contemporary society. \nFrictions (2024) is a moving image work that comprises twelve first-person narratives\, each reflecting on the psychological toll of living alongside strangers in an era marked by polarization\, technologically-mediated hostility\, and uncertainty about the future. Inspired by the artist’s own dreams involving social discomfort and anxiety\, the film’s narratives unfold against the backdrop of hazy\, dreamlike visual sequences\, punctuated with interludes of ambient soundscapes that reinforce a sense of unease. These small yet charged moments of friction expose deeper societal ruptures: the erosion of empathy\, the projection of personal insecurity onto others\, and the difficulty of meaningful social connection in a world saturated by suspicion and self-preservation. \nPunctuating the exhibition run at varying intervals\, A Long Dramatic Pause (2025-26) is Taşdelen’s first live performance work\, which premiered at Studio Voltaire in London\, UK this past fall. The narrative employs the lexicon of photography and theatre to explore strategies of resistance against ultranationalism and far-right politics. Twelve theatrical vignettes describe a photographic image never shown but brought to life through re-enactment and visual analysis by a solo performer. As the performer alternates between observing and embodying an antifascist figure in the photograph\, the narrative gradually implicates the audience\, shifting their focus towards their own agency and collective presence. For this iteration\, Taşdelen collaborated with performer Cindy Ansah to develop a unique\, site-specific version of A Long Dramatic Pause\, guided by a written script and a set of corresponding graphic scores that also feature in Taşdelen’s exhibition. \nCollectively\, the works in Wounded in Three Acts examine the ways in which we negotiate living alongside strangers whose histories\, beliefs and worldviews may be vastly different from our own. Examining culturally learned behaviours and drawing from unique historical accounts\, Taşdelen approaches these questions across different formats\, looking at narrative itself as a constructive device through which we make sense of our experiences and feelings\, both for ourselves and for others. His works do not attempt to instruct or persuade; instead\, they build situations in which we all must reckon with our positions and forms of complicity or solidarity. \nWounded in Three Acts is generously supported through the Ontario Arts Council Exhibition Assistance Program. \nCurated by Mona Filip.
URL:https://cjsw.com/event/erdem-tasdelen-wounded-in-three-acts/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260327T120000
DTEND;TZID=America/Edmonton:20260816T190000
DTSTAMP:20260705T193506
CREATED:20260303T195029Z
LAST-MODIFIED:20260303T195029Z
UID:105814-1774612800-1786906800@cjsw.com
SUMMARY:Richard Ibghy & Marilou Lemmens Stacking Crates to Reach a Banana
DESCRIPTION:Richard Ibghy & Marilou Lemmens\nStacking Crates to Reach a Banana\nMarch 27—August 16\, 2026\nHow are our bodies measured and valued?\nHow do we perform within systems that observe\, record\, and assign meaning to behaviour? \nStacking Crates to Reach a Banana by Quebec-based artist duo Richard Ibghy and Marilou Lemmens brings together works that examine the body—human and nonhuman—as a site of measurement\, performance\, and value. Their practice draws on the visual language of modern science—diagrams\, charts\, graphs\, and schematics that translate lived experience and bodily labour into data\, units\, and archetypes. Across the exhibition\, embodied movements are rendered into abstract models within systems that quantify and compare behaviour\, even as the artists’ reworking of these forms unsettles claims of human exceptionalism. \n The two-channel video piece Taming Chance (2012) sets the tone for the exhibition\, combining a sense of playfulness with serious inquiry. The artist-performers attempt to bring order out of chaos while they deliberately court risk through the manipulation of raw materials. The thirty architectural recreations that feature in the series Anthology of Performance Pieces for Animals (2018- present)\, cast animals as active performers within the framework of laboratory-based cognitive experiments done to study them. In another room is the series\, Each Number Equals One Inhalation and One Exhalation (2016–present)\, that includes graphical representations of diagrammatic studies that illustrate human productivity and labour\, drawn from disciplines ranging from work science\, scientific management\, economics and psychology. Punctuating these small\, abstract sculptures are five videos from Is there anything left to be done at all? (2014)\, subtly evoking the presence of a tangible body\, but through explorations of non-productive action. Staged during a residency at Trinity Square Video in Toronto that is dedicated to art production\, Ibghy and Lemmens invited four artists to workshop the generative potential of improvisations and creative outflow\, probing what forms of action or desire remain once goal\, effort\, and reward are uncoupled. Brought together in direct dialogue for the first time\, the sculptures and videos form a pictorial architecture in themselves\, paralleling the models they reference. In so doing\, the artists intentionally orchestrate the viewing experience to disrupt how meaning is derived from patterns. \nFurther\, by working with models of non-productivity and by granting material and animal bodies agency on the same plane as human bodies\, the duo reveals the limits and flaws of these systems. The handmade sculptures\, built from simple materials such as bamboo sticks and acetate sheets\, emphasize the provisional nature of all regimes of epistemological control. \nIn making visible how instruction operates as a pattern that scripts action\, the exhibition traces the ethical stakes of such systems: the hierarchies they embed\, the behaviours they normalize\, and the ways bodies are instrumentalized as resources to be optimized. Together\, the works offer a critical and timely reflection on processes of reduction\, interrogating how systems of knowledge abstract bodies into data\, variables\, and units of labour\, while opening a space to consider bodies as irreducible to the metrics used to measure and manage them. \nCurated by Kanika Anand.
URL:https://cjsw.com/event/richard-ibghy-marilou-lemmens-stacking-crates-to-reach-a-banana/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260506
DTEND;VALUE=DATE:20260817
DTSTAMP:20260705T193506
CREATED:20260505T184359Z
LAST-MODIFIED:20260505T184359Z
UID:107400-1778104800-1786917599@cjsw.com
SUMMARY:Haig Aivazian: You May Own the Lanterns\, but We Have the Light
DESCRIPTION:Exhibit: Haig Aivazian’s You May Own the Lanterns\, but We Have the Light \nContamporary Calgary: #701 11th Street SW\, Calgary\, AB\, T2P 2C4 \nMay 7—August 16\, 2026 \nWho has the power to control light? In what ways can darkness be weaponized? \nYou May Own the Lanterns\, but We Have the Light (2022-ongoing) brings together three episodes of a cartoon mini-series by Haig Aivazian\, building on his ongoing examination of the public administration of light and darkness as a policing tool. \nDrawing on the history of public lighting\, the work considers artificial light not just as a means for illuminating the streets at night\, but as a mechanism of governance\, where visibility underpins surveillance\, authority\, and the staging and enforcement of social order in public space. \nMost civilizations have long understood the night as a realm of mystery. It belongs to creatures we have been trained to fear: gargoyles\, vampires\, and werewolves\, lurking through the shadows. They inhabit the darkness\, only to be banished by daylight – exposed\, vilified\, and cast as dangerous. But the night is also when we dream. Reality loosens its grip and other worlds begin to take shape. In dreams\, regimes can falter\, hierarchies dissolve\, and new orders come into being – if only for a moment\, before the day returns. \nYou May Own the Lanterns\, but We Have the Light is composed of fragments of found cartoons and animations from a wide range of sources\, all meticulously redrawn\, stitched together\, and reanimated in collaboration with a team of animators in Beirut\, with varying degrees of alteration to the original material. In this work\, the night becomes fertile ground for upheaval and resistance\, a space that allows for refuge and revolution\, where efforts to take it over and colonize it are met with acts of subversive escapism and defiance. \nThe exhibition looks at both the street and the nightclub as sites of disruption\, drawing parallels between dancing and protest as forms of communal resistance. But it also traces the moment when these gestures begin to fail – when dance\, gathering\, and dreaming are no longer sufficient to hold the weight of opposition. This moment demands that we consider the necessity of other modes of cultural production\, ones that are capable of fighting – and ultimately undoing – the conditions that allow an oppressive world order to persist. \nHere\, we are faced with a threshold: prevailing systems are about to collapse\, and new ones have yet to take shape. How can we reclaim power in the night?
URL:https://cjsw.com/event/haig-aivazian-you-may-own-the-lanterns-but-we-have-the-light/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260603
DTEND;VALUE=DATE:20261109
DTSTAMP:20260705T193506
CREATED:20260505T185253Z
LAST-MODIFIED:20260528T160213Z
UID:107402-1780524000-1794171599@cjsw.com
SUMMARY:Adelita Husni Bey: Agency
DESCRIPTION:Exhibit: Adelita Husni Bey’s Agency \nJune 4—November 8\, 2026 \nContemporary Calgary: #701 11th Street SW\, Calgary\, AB\, T2P 2C4 \n2014\, Rome\, Italy. \nThirty-five students at Manara High School took part in a workshop modelled on a group exercise\, derived from a 1970s UK critical civic studies curriculum method. Led by Italian-Libyan artist Adelita Husni Bey\, the students were divided into five constituencies – politicians\, activists\, bankers\, journalists\, and workers – and asked to engage with pressing issues in contemporary Italian politics\, including unemployment\, snap elections\, and natural disasters. \nPresented more than a decade after its completion\, Husni Bey’s Agency (2014) is a documentation of this workshop\, reflecting on the nature of power; the ways in which it manifests and operates; and how it may (or may not) be effectively used. Both disquieting and astute\, the work resonates as urgently today as it did at the moment of its making\, 12 years ago.
URL:https://cjsw.com/event/adelita-husni-bey-agency/
LOCATION:Contemporary Calgary\, 701 11 St SW\, Calgary\, Canada
CATEGORIES:Art,Non-Music Events,Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260612T220000
DTEND;TZID=America/Edmonton:20260713T020000
DTSTAMP:20260705T193506
CREATED:20260528T213008Z
LAST-MODIFIED:20260611T190616Z
UID:108088-1781301600-1783908000@cjsw.com
SUMMARY:Thomas Anthony & STUND - Night Shift
DESCRIPTION:NIGHT SHIFT ⚡️ Thomas Anthony & Stund bring heavy bass to Velvet Room on June 12. Secure your spot on the dance floor before it’s full! \n\n\n\n\nThe Outlit Presents: NIGHT SHIFT\nClock in for a night of heavy bass and “Thicc House” grooves. \nThis June\, The Outlit takes over the underground decks of the Velvet Room for a high-velocity double-header. Featuring two of the most influential names in the Western Canadian electronic scene\, we’re bringing the festival energy of Shambhala and Beyond Wonderland straight to the heart of Calgary. \nTHE HEADLINERS\n\nTHOMAS ANTHONY: The architect of “Thicc House Music.” With over 10 million streams and massive support from industry giants like Idris Elba\, Dr. Fresch\, and Benny Benassi\, Thomas Anthony is fresh off sets at world-renowned stages like Tomorrowland and Beyond Wonderland. Expect a seamless blend of commanding basslines and tech-house precision.\nSTUND: Known for his dark\, dynamic energy and hip-hop influenced soundscapes\, Stund has become a staple of the Canadian festival circuit. With a signature style that bridges the gap between deep bass and high-energy tech house\, his sets are designed to keep the dance floor in a constant state of motion.\n\nLOCAL SUPPORT\n\nScramma: A mainstay in the Calgary underground\, Scramma is known for his surgical precision behind the decks and a deep-rooted passion for driving\, rhythmic house music. Whether he’s warming up a room or commanding a peak-time slot\, Scramma’s sets are a masterclass in tension and release.\nYounome: Bringing a fresh and dynamic energy to the lineup\, Younome is rapidly carving out a space for himself in the Western Canadian electronic circuit. Known for his eclectic taste and ability to read a room\, he seamlessly bridges the gap between infectious tech-house and heavy\, club-ready anthems.\n\nEVENT DETAILS\n\nDate: Friday\, June 12\, 2026\nDoors: 10:00 PM\nLocation:Velvet Room– 628 8 Ave SW B\, Calgary\nPresented by: The Outlit & Danio Management
URL:https://cjsw.com/event/thomas-anthony-stund-night-shift/
CATEGORIES:Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260625T190000
DTEND;TZID=America/Edmonton:20260625T213000
DTSTAMP:20260705T193506
CREATED:20260616T191650Z
LAST-MODIFIED:20260625T200600Z
UID:108831-1782414000-1782423000@cjsw.com
SUMMARY:The Robert Lee Group
DESCRIPTION:The Robert Lee Group is a unique project consisting of original compositions inspired by Korean folk stories and poetry\, spanning various fantasy and romantic narratives. Led by Toronto-based emerging upright bassist\, composer and bandleader Robert Lee\, the project aims to develop an artistic identity founded in the emotional provocation of jazz and improvised music while exploring and implementing Korean traditional elements into one cohesive creative theatre. A graduate from the University of Guelph and Humber College music programs\, Lee obtained his Masters in Contemporary Performance from Berklee Valencia in 2021. Lee has studied and performed with Neil Swainson\, Allison Au\, Mike Downes\, Pat LaBarbera\, Kirk MacDonald\, Amanda Tosoff\, and others. He has performed at various venues and festivals across Ontario and internationally and as well\, performed on the 2024 JUNO nominated album Little Bit a’ Love by vocalist Denielle Bassels. With this dynamic new project focusing on his latest album Forbidden West\, Lee has delved deeper into exploring his identity as a Korean Canadian\, questioning what it means to simultaneously straddle two contrasting cultural identities. \n Thursday\, Jun 25th\, 2026\n 7:00 PM – 9:30 PM\nGeneral Admission – $49.99 \nYouth (25 & Under) – $19.99 \nBand members\nRobert Lee – bass\nJacqueline Teh – vocals\,\nDennis Kwok – saxophones\nJohn Lee – daegeum/janggu\nJay Yoo – guitar\nJen Lo – piano\nJon Catanus – drums
URL:https://cjsw.com/event/the-robert-lee-group/
LOCATION:Festival Hall\, 1215 10 Ave SE\, Calgary\, Canada
CATEGORIES:All Ages,Instrumental,Jazz,Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260625T190000
DTEND;TZID=America/Edmonton:20260627T160000
DTSTAMP:20260705T193506
CREATED:20260618T192933Z
LAST-MODIFIED:20260625T200600Z
UID:108916-1782414000-1782576000@cjsw.com
SUMMARY:STRATA Creations
DESCRIPTION:Presented by STRATA & Co\, Strata Creations is an evening of contemporary dance. Featuring three distinct works by women creators and mothers\, brought to life through original sound scores\, live music\, and immersive visual media. Highlights include 16 performers. Alberta-based choreographers – Catherine Hayward\, Sylvie Moquin\, and Tara Wilson. Lighting Designers Steve Isom\, Calum Maunier\, and Kris Mish. Original music by Trish Evans & Robin Tufts\, Edgardo Moreno\, and Anthony Denaro (YNOT). \n  \nJune 25–27 at the DJD Dance Centre \nThursday\, June 25 — 7 PM \nFriday\, June 26 — 7 PM (followed by a post-show Q&A) \nSaturday\, June 27 — 4 PM \n  \nTickets: https://www.tickettailor.com/events/strata/2203432
URL:https://cjsw.com/event/strata-creations/
LOCATION:Decidedly Jazz Danceworks\, 111 12 Ave SE\, Calgary\, Alberta\, T2G 1A1\, Canada
CATEGORIES:Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260625T193000
DTEND;TZID=America/Edmonton:20260625T213000
DTSTAMP:20260705T193506
CREATED:20260514T224504Z
LAST-MODIFIED:20260514T224547Z
UID:107672-1782415800-1782423000@cjsw.com
SUMMARY:Hiromi’s Sonicwonder Presented by JazzYYC
DESCRIPTION:Headlining the 2026 JazzYYC Summer Festival. \nOver more than 20 years as a recording artist\, the jazz piano phenomenon Hiromi has shifted seamlessly from one spellbinding project to the next. In the process\, she’s earned a reputation as one of the most explosive live performers in jazz history and a global ambassador for the art form. Her many triumphs include an NPR Tiny Desk Concert that has racked up 2 million views; the opportunity to represent her native Japan with a performance at the 2021 Summer Olympics in Tokyo; 2024 winner for Best Music Score for the animated feature film Blue Giant (Award of the Japanese Academy); and a GRAMMY Award for a collaboration with fusion hero Stanley Clarke. Her artistry is — to borrow a descriptor The New Yorker favored — “dazzling.” \nIn 2023\, she released Sonicwonderland\, debuting perhaps the most expressive\, dynamic and versatile working band of her career. Called Hiromi’s Sonicwonder and featuring Hadrien Feraud on bass\, Gene Coye on drums and the trumpeter Adam O’Farrill\, the group furthered Hiromi’s distinctive musical alchemy: the spirit of classic jazz-rock fusion melded with classically rooted virtuosity\, entrancing funk\, pop flourishes and\, through O’Farrill’s trumpet\, acoustic jazz’s state of the art. \nThe album also did a remarkable job of capturing Hiromi’s mastery as a live entertainer. As The Guardian noted\, “Sonicwonderland is perhaps the closest thing to Hiromi’s onstage exuberance.”\nBut that was only the beginning. \nIn recent years\, Sonicwonder has continued to tour and work together consistently\, advancing their deep chemistry and fearless sense of interplay. The results can be heard on Hiromi’s new Concord release and 13th studio full-length album\, OUT THERE\, in which the group’s powerful rapport meets the pianist’s astonishing abilities as a composer on equal footing. As Hiromi explains\, “On Sonicwonderland\, I had the concept and the songs first\, and I was looking for the people who could play the music in the ideal way that I had in my mind. \n“Being with this group for well over a year\,” she continues\, “playing a lot of shows together and understanding each other\, I started to see more of their strength and what shines in them the most. So I started to write music with them in mind.” \nDon’t miss out—limited Pre-show VIP tickets include an exclusive artist meet-and-greet\, hors d’oeuvres\, and a pre-show cocktail starting at 6:30 p.m.
URL:https://cjsw.com/event/hiromis-sonicwonder-presented-by-jazzyyc/
LOCATION:Bella Concert Hall\, 18 Mt Royal Cir SW\, Calgary\, Canada
CATEGORIES:All Ages,Jazz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260625T193000
DTEND;TZID=America/Edmonton:20260626T000000
DTSTAMP:20260705T193506
CREATED:20260616T182914Z
LAST-MODIFIED:20260625T200600Z
UID:108809-1782415800-1782432000@cjsw.com
SUMMARY:Tareya at the King Eddy
DESCRIPTION:Canadian country-pop artist Tareya hits the legendary King Eddy stage on June 25. \nDate: June 25\, 2026 \nTime: 7:30 pm \nPrice: $30 in advance or $35 at the door \n  \nAbout Tareya: \nTareya is a highly acclaimed\, JUNO and CCMA-nominated Canadian country-pop singer\, songwriter\, and producer whose music has generated an estimated 12 million total streams across global digital platforms. \nOriginally from Calgary\, Alberta\, she achieved explosive nationwide prominence as the central female voice of the chart-topping country duo Autumn Hill. Green carved out a historic place in the Canadian music landscape when her work crossed over from country charts to mainstream pop radio\, a massive commercial feat that had not been accomplished by a Canadian country act since Shania Twain. Discovered via YouTube by Wax Records executives\, she quickly shifted from a budding solo artist into a powerhouse collaborator\, laying the foundation for a career defined by consecutive high-profile industry accolades. \nDuring her definitive five-year run anchoring Autumn Hill\, Green accumulated a catalog of critical milestones\, highlighted by two prestigious JUNO Award nominations and six Canadian Country Music Association (CCMA) nominations. Her vocal performance and sharp songwriting sensibilities drove the duo’s two celebrated studio albums\, Favourite Mistake and Anchor. She co-penned and sang lead on a string of massive radio staples\, including the smash hit breakout crossover single “Anything at All\,” “Fire\,” and “Can’t Keep Waiting”. Her commercial momentum reached a peak on the charts when the powerful ballad “Blame” secured a coveted #1 music video spot on CMT and soared to a Top 5 position on country radio. These consecutive hits earned the group successive JUNO and CCMA Award nominations for Breakthrough Artist and Best Country Album. \nGreen’s status as a top-tier performer was solidified by her invitations to headline the national CCMA Awards broadcast in both 2014 and 2015. Over the course of her mainstream career\, she has shared arena and festival stages with global country superstars like Keith Urban\, Carrie Underwood\, and Tim McGraw\, and recorded an vocal duets with Canadian music legends Jann Arden and Tom Cochrane. \nFollowing an amicable split from the duo to reclaim her standalone artistry\, she re-emerged as an independent artist. She expanded her creative autonomy to write her debut solo record\, Stained Glass Heart\, which featured her highly successful independent digital release “Summer Wheels”. Most recently\, she returned to the spotlight with her new radio single “Highschool Sweetheart”\, continuing to build on her legacy of compelling storytelling and vocals and chart-topping singles.
URL:https://cjsw.com/event/tareya-at-the-king-eddy/
LOCATION:King Eddy\, 438 9 Ave SE\, Calgary\, Canada
CATEGORIES:Country Pop,Staff Picks
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20260625T200000
DTEND;TZID=America/Edmonton:20260625T223000
DTSTAMP:20260705T193506
CREATED:20260616T193947Z
LAST-MODIFIED:20260625T200600Z
UID:108849-1782417600-1782426600@cjsw.com
SUMMARY:ADHD
DESCRIPTION:Ironwood Stage and Grill \n Thursday\, Jun 25th\, 2026\n 8:00 PM – 10:30 PM  \nGeneral Admission – $49.99  \nYouth (25 & under) – $19.99  \nThere are bands where every album is a step into the unknown. There are others whose development is a reliable and consistent expansion of their terrain. The latter applies to the Icelandic musicians’ collective ADHD.  \nIt is almost impossible to describe their concerts along traditional musical parameters. A performance by these four Vikings is always an all-encompassing ritual\, a magic potion of incantation dance and a phenomenon of nature. When keyboarder THÓMAS JÓNSSON\, guitarrist and bass player ÓMAR GUÐJÓNSSON\, saxophonist ÓSKAR GUÐJÓNSSON\, und drummer MAGNÚS TRYGVASON ELIASSEN are on stage\, the ordinary Middle European mortal will get at least a vague sense of how the island people in the very north of Europe have been able to survive the long and icy winters through the centuries. – They simply produce their energy out of themselves.  \nThis unbridled stream of human vibration\, which overrides all perimeters of genre and fascinates jazz fans as much as rock fans and ravers\, follows a most ancient human desire\, whose non-verbal impulse is older than any language and yet is entirely rooted in the present. The expanse of the cosmos and the infinity of time culminate in this happening of total music\, as well as a profound mysticism of free imagination and an unflagging confrontation with contemporary issues.  \nThe Gesamtkunstwerk ADHD cannot be quite captured in words. This sublime timelessness in the here and now can only be experienced. \nBand members\nÓskar Guðjónsson - saxophones\nÓmar Guðjónsson - electric guitar\, electric bass\, pedal steel\nTómas Jónsson - piano\, Hammond\, Synth bass\, melodica\, etc.\nMagnus Trygvason Eliassen - drumkit\, percussion
URL:https://cjsw.com/event/adhd/
LOCATION:The Ironwood\, 1229 9 Ave SE\, Calgary\, Canada
CATEGORIES:All Ages,Experimental,Instrumental,Jazz,Staff Picks
END:VEVENT
END:VCALENDAR